![]() ![]() Rik’s early love for jazz prompted him to enroll in Humber College’s program in ’73, only to drop out the same year. It was shortly thereafter that he joined the group Justin Paige. Less than a year later he left to form Act 3. After calling it quits with that trio the same year, he formed Triumph with Gil Moore (ex-Shearman & Peabody with Moxy‘s Buzz Shearman & Fludd / Goddo / Carpet Frogs mainman Greg Godovitz) and Mike Levine. In 1976 the three would record the first of nine studio records together in and would go on to become icons of Canadian rock, penning the classics “Hold On”, “Magic Power”, “Never Surrender”, “Rock and Roll Machine” Rik left Triumph to venture into solo waters in September of ’88. ABSOLUTELY was released in the spring of 1990. Backed by the tender single, “When A Heart Breaks”, it showcased his strong pop sensibility. From the uptempo lead off track “Drive Time” and “Big Lie” to the collaberation with Graham Shaw, “Smart Fast and Lucky”, if there was a doubt about his ability to survive outside Triumph, it was quickly put to rest. Rik was rewarded for his incredible debut when ABSOLUTELY was certified gold. Also noteable were the haunting solos in “The Way That You Love Me” and sheer power of “Stand and Deliver”. IPSO FACTO hit the shelves in ’92 and grabbed you by the walls from the opening riffs of “Straight Up” . Followed by the equally powerful “Bang On” and “Rainbow Man”, one of his most electrifying tracks to date. Again he displayed his incredible diversity with the light melodies of “Let Love Conquer All” and “Heaven In Your Heart”. Ever expanding his sound, the horns and harmonies in “Dig A Little Deeper” shows why he’s one of Canada’s greatest writers of tight, listener-friendly pop. With something for everyone, both AM and FM stations ate up IPSO FACTO, pushing it gold. His next release wouldn’t be until ’95, with SPIRAL NOTEBOOK. With the lead-off “Anything You Say”, a laid-back, well thought-out progression of pop rock is set. Backed by “Let Me Be The One” and “The Longing”, SN was one of the year’s better, but perhaps not fully respected albums of the year. Trends and fads come and go in music. And in an age when program directors found it hard to play consistently good music by known artists, Rik was bucking the trend, cranking out hit after killer track. The peak of the album may have been “Let Me Be The One” reaching number one in adult contemporary He followed up with TEN INVITATIONS FROM THE MISTRESSES OF MR. E in early ’97. With flamenco and classical influences, INVITATIONS isnothing short of an instrumental masterpiece. Praised by guitarists the planet-over, the sheer brilliance of tracks like”Acadian Dance”, “Angelina’s Smile”, and “A Whisper Away” also appeal to the masses who can’t play “Smoke On The Water” the same way twice. Also on the record was the Spanish-flavoured “El Cuento del Gadjo” and “Ascending in St. Anne’s”, a reminiscence of a Toronto church, which featured Rik’s 14 year-old daughter Shannon on keyboards. Rik showcased his true love for jazz flavours in ’97 with SWING SHIFT, released later that same year and is an incredible collection that runs the gamut of his jazz and swing influences. Included are the uptempo “Mr Bebop”, “Way Cool” and the slickly laid-out jazz instrumental “Three Clouds Across The Mountain”. THE GUITAR TRILOGY was completed in ’99 when Rik released the eagerly-anticipated RAW QUARTET. A stripped down but well crafted piece, tracks like “Crazy Woman”, “Come Clean” and “Navajo Sunrise” dig deep into his blues roots, while “Hogtown Rag” proudly displays his down-home love for what he affectionately believes is the center of the universe. Aside from music, Rik Emmett is an accomplished cartoonist, with his famed ‘Rocktoons’ featured in Hit Parader magazine during the early 80’s, while also contributing to Guitar Player magazine He released 2 discs in 2002. THE BEST OF is part of Universal’s ’20th Century Masters Collection’ and nicely packages up Rik’s solo career, along with great live acoustic versions of “Hold On”, “Suitcase Blues”, Lay It On The Line” and “Middle Ground”. Shortly there after saw the issuing of his seventh studio album on his own, yet again displaying why he’s considered one of the best in the business. His diverse stylings make their way into every facet of the 11 tracks, uptempo moody grooves, latin sensations and jazz rhythms. In a world where practically anyone but me can get a recording contract, it’s a testament to anyone who’s enjoyed as much success, and garnered as much international respect as Rik Emmett has. Whether solo or as part of Triumph, countless gold and platinum records usually speak for themselves, but that’s to only tell one side of the story. It takes a true star to be the type of role model, professionally and personally that he is, inspiring musicians across the world, and just simply giving alot of pleasure to even more casual listening fans. Rock fans had a dream come true when years of speculation came to fruition in 2007, when Emmett reunited with his Triumph mates for a series of festivals in Europe. Following the successful reunion, the members again drifted off again to do their own things.
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