discography with albums & lyrics
The story of Teaze is one of unbridled success in foreign lands, yet often a constant struggle at times for mere recognition on their native soil. They were formed in Windsor, Ontario in 1975 by Brian Danter on bass guitar and vocals, guitarists Mark Bradac and Chuck Price, and Mike Kozak on drums.

“In the beginning, Teaze played hardly any bars – but highschools – which were still the rage then. We really didn’t play clubs period,” Bradac said.

Powered by a heavy but no-nonsense approach, they honed their sound while playing mostly at highschools, and were signed to Stan Whitcher Management, along with Mel Shaw from Stampeders fame. “Mel was the first to put us on out on exclusively on a label called Force One Records, distributed by London Records,” he added.

Their self-titled debut album was in the stores in ’77, but failed to make a dent in the top 40 charts. Still, driven by straight-forward production, the record was as raw a sound as one could capture in a studio, as evidenced by the tracks “Rockin With The Music”, co-written by George Young – older brother and producer of Ac/Dc’s Angus & Malcolm, “Hot To Trot,” and “Boys’ Night Out”. They caught the attention of Bob Rags at Terry Flood Management, and the group was signed to Aquarius records in 1977, who re-released the album.

Their follow-up, ON THE LOOSE, was released early the next year and although still holding true to the band’s simple approach, the record showed a maturity in the writing and featured the rockers “Nobody’s Fool” and a re-make of “Gonna Have A Good Time Tonight.” Also noteable were the title track, “Ready To Move,” and “Sweet Misery.” It was the band’s only ever hit single, and the tender piano and acoustic guitar driven ballad also showcased their versatility.

The group moved operations from Windsor to Montreal the next year and continued touring eastern & central Canada and in the US, but still couldn’t seem to get their ‘big break’. This all changed for Teaze in the fall of 1978 when they travelled to Japan and were met with sold out stadiums and mobs at the airports. But the jury was still out as to whether or not Teaze simply cashed in on rock and roll starved Japanese kids after the likes of KISS, BTO and Cheap Trick had already paved the way. Whatever the reason, the reception of Teaze in Japan was almost comparable to the reception the Beatles or Rolling Stones enjoyed in the United States. Their ten day tour of the Orient led to 1979’s live album, TOUR OF JAPAN.

Later that year the band released their third studio album, ONE NIGHT STANDS. With Myles Goodwyn of April Wine (also on the Aquarius label) behind the helm, it showed a definite progression from its predecessors. Ranging from the typical ballad “Loose Change”, the record’s only single, to the straight forward – grab you by the balls “Back in Action” and “Young & Reckless”, ONE NIGHT STANDS was typical Teaze, but with a maturity. However the tour that followed was a disappointing failure, considering management’s expectations following the band’s success overseas.

The group cut BODY SHOTS in the summer of 1980, their final album. Though two singles were released, “Roses and Chrome” and “Living On The Edge”, the record still failed to garner enough radio interest to support another full-fledged attempt at cracking the North American market. Management at Aquarius by this time had decided that “Teazemania” was never going to catch on here and chose not to commit to any more records.

Now without a deal, Teaze continued to do arena and theatre dates in and around the Toronto area, but disbanded in 1981. Everyone went on to do individual projects and life outside of music. Bradac opened up a pawnshop, and eventually became so established in the business he landed a role on “Pawnathon Canada,” a TV show where experts buy people’s relics and memorabilia.

A ‘best of’ package titled A TASTE OF TEAZE was released in ’84 and the compilation OVER SIXTY MINUTES WITH TEAZE, the definitive collection with 17 tracks, followed in 1990.

  • With notes from Mark Bradac